10 More Shows Added to Stanford Live’s Season

Stanford Live has added 10 more performances to their 2019-20 Season. Tickets will be available to the public on November 15, 2019. Check out all the great performers, artists and writers coming in the winter and spring of 2020.

Talisman 30th Anniversary Concert

February 8

For their 30th anniversary concert, Talisman alumni and current members from the past three decades will come together to sing and showcase the many voices that have contributed to Talisman’s growth. 

A Night in the Piano Bar with Brandon James Gwinn

February 15

A crowd favorite at NYC’s famous piano bar, Marie’s Crisis, Brandon James Gwinn  is a singer-pianist, composer-lyricist, and producer lauded as “one hell of an entertainer” by the Bistro Awards. For one night only, Gwinn is bringing his unforgettable piano bar experience to the Bing Studio.

Hanzhi Wang

February 16

Praised for her captivating stage presence and performances that are technically and musically masterful, Hanzhi Wang is the only accordionist to ever win a place on the roster of Young Concert Artists.

Sounds of Cuba: Jane Bunnett & Maqueque

Feburary 28–29

Canadian alto-sax/flutist Jane Bunnett showcases the best young female artists from Cuba. Drummer Missy Garcia is the heartbeat and power that propels Maqueque.

Common in Conversation

March 3

Academy Award, Golden Globe, Emmy and Grammy-winning artist, actor, and activist, Common continues to break down barriers with a multitude of critically acclaimed, diverse roles, and continued success at the box office.  Let Love Have the Last Word shares Common’s own unique, personal stories of the people and experiences that have led to a greater understanding of love and all it has to offer.

Colin Quinn

March 13

Colin Quinn is a stand-up comedian from Brooklyn (okay, Park Slope). From MTV’s Remote Control to SNL to Comedy Central’s Tough Crowd with Colin Quinn, Mr. Quinn is not one to take a hint and bow out gracefully. 

Bobi Céspedes

March 21

Gladys “Bobi” Céspedes has been at the forefront of representing and promoting Cuban music in the Bay Area and the United States for over 40 years. On her new album, Mujer Y Cantante, Bobi Céspedes thrills us with her prowess as woman and singer. 

Alfredo Rodríguez & Pedrito Martinez

March 22

As a result of their beginnings, Rodríguez and Martinez share a natural chemistry that makes for a galvanizing musical experience when they come together. Their first duo outing, Duologue, finds the pair exploring a range of moods and influences, from Cuban classics to collaborative original compositions to a number of unexpected favorites.

Choir of St John’s College, Cambridge

April 1 at Memorial Church

April 2 at Bing Concert Hall

The Choir of St John’s College, Cambridge is known and loved by millions from its broadcasts, concert tours, and over 90 recordings. Founded in the 1670s, the Choir is known for its rich, warm, and distinctive sound, its expressive interpretations and its ability to sing in a variety of styles. 

Margaret Atwood in Conversation

April 8

Acclaimed writer Margaret Atwood will make a visit to Bing Concert Hall for a discussion. Her 2019 release, The Testaments, is a finalist for the Booker Prize.

A ‘Nutcracker’ for Any Style

Halloween is over, Daylight Saving Time has ended, and arts organizations all around the Greater Seattle Area are gearing up for their holiday shows. And just like squirrels preparing for winter hibernation, its time to pick the nut that’s right for you.

When a person is picking out a holiday-centered performance to attend—especially if that person is a resident of Seattle—The Nutcracker is usually one of the most obvious choices. But with multiple renditions of The Nutcracker available to audiences this year, choosing which one to attend may seem overwhelming. To help find the best adaptation for you, we’ve explored three different versions of the beloved tale of the Mouse King and the Nutcracker—The Hip Hop Nutcracker, George Balanchine’s The Nutcracker® and The Hard Nut.

The Hip Hop Nutcracker with MC Kurtis Blow

A holiday mash-up for the whole family, The Hip Hop Nutcracker is back and better than ever. Directed and choreographed by Jennifer Weber, The Hip Hop Nutcracker is a contemporary dance spectacle set to Tchaikovsky’s timeless music. A unique and joyful event, this evening-length production is performed by a supercharged cast of a dozen all-star dancers, a DJ, a violinist and MC Kurtis Blow, one of hip hop’s founding fathers, who opens the show with a short set.

Through this re-mixed and re-imagined version of the classic, the dynamic performers of The Hip Hop Nutcracker take us on a journey that celebrates love, community and the magic of the holiday season.

This one is for you if…

…you love Tchaikovsky’s score, but wouldn’t mind having a few new remixes and beats mixed in to change things up.

…you want to experience a refreshed storyline with updated dance (all manner of hip hop), settings (New York City), and costumes (contemporary clothes), but with the fantastic music and cheerful holiday feeling you know and love.  

November 15 at Pantages Theater
November 16–17 at The Paramount Theatre

performance of the hip hop nutcracker
The ‘Hip Hop Nutcracker.’ Photo by Tim Norris
George Balanchine’s The Nutcracker®

Pacific Northwest Ballet’s best-selling holiday classic, The Nutcracker is a fantastical combination of Ian Falconer’s unique design, Tchaikovsky’s beloved score, and the entire Company in show-stopping roles. A memory making tradition for generations of families and friends, Nutcracker fun includes McCaw Hall gloriously decked-out for the season’s best photo ops.

This one is for you if….

…you haven’t seen the George Balanchine ballet yet. The iconic Balanchine production replaced the long-running Stowell and Sendak version in 2015 and has been captivating audiences in Seattle each year since.

…you want something good for children or even just for the child in yourself. Opening weekend even includes crafts and dance classes for the little ones.

November 29–December 28 at McCaw Hall

Leta Biasucci in ‘George Balanchine’s The Nutcracker’ at PNB. Photo by Angela Sterling
Mark Morris Dance Group’s The Hard Nut

Celebrating its 28th anniversary, The Hard Nut is a cascade of wit and wintry beauty. It’s a lavish, gender-bent love letter to the classic The Nutcracker. Based on E.T.A. Hoffman’s The Nutcracker and the Mouse King, Mark Morris’ version takes it from the straight-laced 1890s to the swinging 1970s, with raucous parties, dancing G.I. Joes, whimsical costumes, and a “Waltz of the Snowflakes” like no other. Based on the comic book art of Charles Burns and featuring Tchaikovsky’s complete original score, performed by a live orchestra conducted by Colin Fowler, Morris’ lyrical, modern retelling playfully preserves the warm spirit of an essential holiday tradition.

This one is for you if…

…you’re looking for something a bit irreverent, quirky, bold and a little darker than other Nutcracker interpretations.

…you like modern dance but want to keep the traditional Tchaikovsky score, played by a live orchestra of the MMDG Music Ensemble.

December 6–15 at The Paramount Theatre


Tickets are available on each arts organization’s website: The Hip Hop Nutcracker with MC Kurtis Blow at Pantages Theater; The Hip Hop Nutcracker with MC Kurtis Blow at The Paramount Theatre; George Balanchine’s The Nutcracker®at McCaw Hall; Mark Morris Dance Group’s The Hard Nut at The Paramount Theatre.

Here’s Who Will Fill the Iconic ‘Pride & Prejudice’ Roles in TheatreWorks New Musical Adaptation

The stellar cast features many TheatreWorks Silicon Valley veterans, as well as many actors who originated the roles in the 2018 TheatreWorks New Works Festival, where this musical was first work-shopped.

Pride and Prejudice will play December 4,2019 through January 4, 2020 at TheatreWorks Lucie Stern Theatre in Palo Alto.  

TheatreWorks Silicon Valley rings in the holidays with the new musical Pride and Prejudice, the 2019 Tony-winning company’s 70th World Premiere. Based on Jane Austen’s iconic novel, this engaging work features book, music and lyrics by Paul Gordon, whose musicals include TheatreWorks favorites Jane Austen’s Emma, Daddy Long Legs, and the Tony-nominated Broadway musical Jane Eyre. Pride and Prejudice follows delightfully liberated Lizzie Bennet and dashing, disdainful Mr. Darcy as they discover the irresistible power of love. A favorite from TheatreWorks’ 2018 New Works Festival, this brand new musical romantic comedy will be directed by TheatreWorks’ Founding Artistic Director Robert Kelley.

Cast

Mary Mattison (Lizzie Bennet) Mattison has been seen onstage at the Northern Carolina Theatre and Theatre Raleigh, and in readings of Clueless, The Musical and Superhero at The Eugene O’Neill Theatre Center. Her television credits include CBS’s Blue Bloods.

Justin Mortelliti (Mr. Darcy) Mortelliti was seen on Broadway in Escape to Margaritaville and Off-Broadway in The New Group’s Clueless, The Musical and The Columbine Project, for which he received an Artistic Director’s Achievement Award for Best Lead Actor in a Drama. His regional credits include starring in the original Las Vegas cast of Rock of Ages and performing at regional theatres including La Jolla Playhouse and The Wallis Annenberg Center. His film and TV work includes Netflix’s Orange is the New Black, CBS’s Numb3rs, AMC’s TURN: Washington’s Spies and Nickelodeon’s Victorious, in addition to performing as the musical guest for CBS’s The Queen Latifah Show.

Sharon Rietkerk (Jane) Originating the role of Jane Bennet in the 2018 TheatreWorks New Works Festival, Sharon Rietkerk returns to TheatreWorks where she won San Francisco Bay Area Critics Circle (SFBATCC) Award for her performance in Triangle, a Theatre Bay Area (TBA) award for Marry Me a Little, received a SFBATCC Award nomination for her performance in The Secret Garden, and was also seen in Cyrano, Little Women and the 2015 production of Jane Austen’s Emma. Other awards include a TBA Award for Born Yesterday at Center REPertory Company. Rietkerk has also performed onstage at Old Globe Theater, San Jose Repertory Theatre, 42nd Street Moon and American Conservatory Theater, in concerts with the San Francisco Symphony and Chicago Cubs, and was seen in Streaming Musical’s filmed theatrical production of Emma.

Melissa WolfKlain (Mary) Originating the role of Mary Bennet in the 2018 TheatreWorks New Works Festival, Melissa WolfKlain returns to TheatreWorks Silicon Valley where she was nominated for a SFBATCC Award for her performance in the World Premiere of Tinyard Hill and was seen in TheatreWorks New Works Festival workshops of Caraboo and Asphalt Beach. Receiving a 2019 TBA Award nomination for Dames at Sea at 42nd Street Moon, she also won SFBATCC Awards for her performances in Broadway by the Bay’s Singin’ in the Rain and Crazy for You. Seen in the national tours of White Christmas and 42nd Street, WolfKlain has also performed at regional theatres including San Francisco Playhouse, Hillbarn Theatre and Arizona Repertory Theatre, and her film and TV credits include FOX TV’s America’s Most Wanted and Lifetime’s The Truth about Jane.

The Bennet sisters (Adrienne Kaori Walters, Monique Hafen Adams, Melissa Wolfklain, Hannah Corneau, and Shannon Rietkerk) meet Mr. Collins (Brian Herndon) in a reading of "Pride and Prejudice" at TheatreWorks Silicon Valley's 2018 New Works Festival.
The Bennet sisters (Adrienne Kaori Walters, Monique Hafen Adams, Melissa Wolfklain, Hannah Corneau, and Shannon Rietkerk) meet Mr. Collins (Brian Herndon) in a reading of ‘Pride and Prejudice’ at TheatreWorks Silicon Valley’s 2018 New Works Festival. Photo by Kevin Berne

Tara Kostmayer (Lydia) Making her TheatreWorks Silicon Valley debut, Tara Kostmayer has been seen Off-Broadway in A Chorus Line at Encores! New York City Center and has performed regionally at theatres including La Jolla Playhouse.

Chanel Tilghman (Kitty) Making her TheatreWorks Silicon Valley debut, Chanel Tilghman has been seen in productions at Berkeley Playhouse and Bay Area Musicals.

Christopher Vettel (Mr. Bennet) Returning to TheatreWorks Silicon Valley where he was seen in Little Women, Christopher Vettel plays Mr. Bennet, the patriarch of the Bennet family. Seen in a national tour of Sunset Boulevard and the 30th Anniversary national tour of Annie, Vettel has performed in the German company of Really Useful Group’s production of Sunset Boulevard, the European tour of Cabaret, and Cameron Mackintosh/JAR production’s Hey, Mr. Producer!. Vettel has also performed Off-Broadway at New York Musical Festival and Westside Theatre, and his regional theatre credits include San Jose Repertory Theatre, Barrington Stage Company, 42nd Street Moon and San Jose Stage Company.

Heather Orth (Mrs. Bennet) Originating the role in the 2018 TheatreWorks New Works Festival, Heather Orth makes her TheatreWorks mainstage debut as Mrs. Bennet, the matriarch of the Bennet family. Receiving 2019 TBA Award nominations for her performances in Sweeney Todd at Hillbarn Theatre, Passion at Custom Made Theatre Company, and Sister Act at Broadway by the Bay, Orth has won TBA Awards for her performances in Sister Act at Berkeley Playhouse and The Boys from Syracuse at 42nd Street Moon. Orth has won SFBATCC Awards for her performances in Jesus Christ Superstar at Ray of Light Theatre and The Secret Garden at 42nd Street Moon, as well as for Chess and Grey Gardens at Custom Made Theatre Company. Orth has also performed at Feinstein’s at the Nikko and with Symphony Silicon Valley.

Travis Leland (Mr. Bingley) Seen as Miles Tuck in last season’s Tuck Everlasting, Travis Leland returns to TheatreWorks Silicon Valley as Mr. Bingley, Mr. Darcy’s charming, well-mannered friend. Leland’s other TheatreWorks credits include the 2017 production of Rags and the 2015 production of Jane Austen’s Emma. Leland has also performed at the Geffen Playhouse and the Wallis Annenberg Center.

Monique Hafen Adams (Miss Caroline Bingley) Originating the roles of Caroline Bingley and Kitty Bennet in the 2018 TheatreWorks New Works Festival, Monique Hafen Adams makes her TheatreWorks Silicon Valley mainstage debut as Miss Caroline Bingley, Mr. Bingley’s snooty sister. Also seen in TheatreWorks New Works Festival workshops of Eric Hermannson’s Soul and Past, Present, and Future, Adams’s honors include SFBATCC Awards for She Loves Me, Company, My Fair Lady, and Camelot at San Francisco Playhouse and The Liar at Center REPertory Company, as well as a TBA Award for Threepenny Opera at San Jose Stage Company. Adams has performed at theatres across the Bay Area including American Conservatory Theater, San Jose Repertory Theatre, Hillbarn Theatre and Pear Theatre.

Taylor Crousore (Mr. Wickham) Making his TheatreWorks Silicon Valley debut, Taylor Crousore plays Mr. Wickham, a handsome soldier who catches the eye of the Bennet sisters. Crousore’s Off-Broadway credits include A Musical About Star Wars, NEWSical the Musical and Forbidden Broadway. He has also performed in The Public Theater’s Under the Radar Festival and at Carnegie Hall and trained with the Upright Citizens Brigade.

Brian Herndon, Adam Shonkwiler, Sean Allan Krill, Dani Marcus and Hannah Corneau in a reading of "Pride and Prejudice" at TheatreWorks Silicon Valley's 2018 New Works Festival.
Brian Herndon, Adam Shonkwiler, Sean Allan Krill, Dani Marcus and Hannah Corneau in a reading of ‘Pride and Prejudice’ at TheatreWorks Silicon Valley’s 2018 New Works Festival. Photo by Kevin Berne

Dani Marcus (Charlotte Lucas) Originating the role in the 2018 TheatreWorks Festival, Dani Marcus returns to TheatreWorks Silicon Valley as Charlotte Lucas, a friend of Lizzie Bennet. Playing Harriet Smith in TheatreWorks Silicon Valley’s 2007 World Premiere production of Jane Austen’s Emma, Marcus reprised the role in productions of the musical across the country at The Old Globe, Cincinnati Playhouse in the Park, Repertory Theatre of St. Louis, and in Streaming Musical’s filmed theatrical production. Marcus was seen in the national tour of A Gentleman’s Guide to Love and Murder and her New York theatre credits include performances at National Yiddish Theatre and New York Musical Festival. Marcus won a SFBATCC Award for her performance in Beggar’s Holiday at Marin Theatre Company and appeared in TheatreWorks Silicon Valley’s 2003 production of A Little Night Music. She has also performed at regional theatres including San Jose Repertory Theatre, Center REPertory Company and Broadway by the Bay. Marcus was seen in FX Network’s Lucky and her voice can be heard in Pokémon: The Dragon Master’s Path and Pokémon: Keeping in Top Forme.

Brian Herndon (Mr. Collins) Originating the role in the 2018 TheatreWorks New Works Festival, Brian Herndon returns to TheatreWorks Silicon Valley as Mr. Collins, a pompous clergyman. Playing Mr. Elton in TheatreWorks Silicon Valley’s 2007 and 2015 productions of Jane Austen’s Emma, Herndon reprised the role in productions of the musical across the country at The Old Globe, Cincinnati Playhouse in the Park, Repertory Theatre of St. Louis, Arizona Theatre Company, and in Streaming Musical’s filmed theatrical production. Herndon has appeared in many TheatreWorks Silicon Valley productions including Rags, Being Earnest, The Elephant Man, The Learned Ladies of Park Avenue and the World Premiere of A Little Princess. Other theatre credits include performances at Marin Theatre Company, San Francisco Playhouse, Aurora Theatre Company, Center REPertory Company, 42nd Street Moon, Berkeley Playhouse and Shotgun Players.

Lucinda Hitchcock Cone (Lady Catherine de Bourgh) Originating the role in the 2018 TheatreWorks New Works Festival, Lucinda Hitchcock Cone returns to TheatreWorks as Lady Catherine de Bourgh, an imposing noblewoman who is Mr. Darcy’s aunt. Cone returns to TheatreWorks Silicon Valley where she was most recently seen in last season’s Tuck Everlasting, in addition to appearing in Outside Mullingar, Ragtime and Cabaret. Cone has also performed in the National Tour of Big River and regionally at American Conservatory Theater, Berkeley Repertory Theatre, Marin Theatre Company, Hartford Stage, The Repertory Theatre of St. Louis, Indiana Repertory Theatre, Portland Stage Company, San Jose Repertory Theatre and others. Cone has won SFBATCC Awards for her performances in River’s End and Lips Together Teeth Apart at Marin Theatre Company, Night of Hunter at Willows Theatre, and Mad World.

Sean Fenton (ensemble) Rounding out the ensemble is Sean Fenton, who returns to TheatreWorks Silicon Valley where he was seen in the World Premiere of The Four Immigrants: An American Musical Manga and the 2003 production of A Little Night Music. Receiving a 2014 TBA Award for his performance in Where the Mountain Meets the Moon at Bay Area Children’s Theatre, Fenton has also performed at Custom Made Theatre Company, Broadway by the Bay, and Foothill Music Theatre.


Tickets for Pride & Prejudice are now available online or by calling the box office at 650.463.1960.

Berkeley Rep Announces ‘Gatz,’ a Special Event Unlike Anything Else in Theatre

Berkeley Repertory Theatre announces the highly anticipated special event of this season, Gatz, which enacts the beloved classic novel The Great Gatsby by F. Scott Fitzgerald and is directed by John Collins, to create a once in a lifetime experience.

The theatrical ensemble Elevator Repair Service will make its Berkeley Rep debut with Gatz, an astonishing tour de force unlike anything else in contemporary theatre.The winner of two Lucille Lortel Awards, three Elliott Norton Awards and an Obie Award, Gatz has enthralled audiences around the globe, from New York to Lisbon and Los Angeles to Abu Dhabi.

Gatz follows an anonymous office worker at a shabby small business who finds a copy of The Great Gatsby on his desk one morning and starts to read aloud. At first his coworkers hardly notice. But after a series of strange coincidences, it’s no longer clear whether he’s reading the book or the book is transforming him.

“[A] work of singular imagination and intelligence. The most remarkable achievement in theater not only of this year but also of this decade.”

New York Times
Performance Schedule

Each performance of Gatz runs 6 hours, plus two 15-minute intermissions and a 2-hour dinner break.

Chapters 1–3: 2 hours
Intermission: 15 minutes
Chapters 4–5: 1 hour and 10 minutes
Dinner break: 2 hours
Chapters 6–7: 1 hour and 25 minutes
Intermission: 15 minutes
Chapters 7–9: 1 hour and 25 minutes

(Due to the nature of live theatre, these times may vary slightly.)

Gatz begins on February 13 and runs through February 23, 2020. Individual tickets are now available and can be purchased online or by phone at 510.647.2949.


Elevator Repair Service is a New York City-based company that creates original works for live theatre with an ongoing ensemble. The company’s sources range from found material (transcripts of trials, old movies, YouTube videos) to literature and conventional plays (both classical and contemporary). Founded in 1991, ERS has authored an extensive body of work that includes 19 original theatrical productions. These have earned the company a loyal following and made it one of New York’s most highly acclaimed experimental theatre companies. ERS’s productions share a commitment to risk-taking and reinvention, blending unusual texts with innovations in theatrical form. The finished works feature ERS’s signature dynamic performance style and playful sense of humor coupled with a rigorous commitment to psychologically complex performances. ERS has received numerous awards and distinctions including an Obie for Sustained Excellence, The Foundation for Contemporary Arts Theater Grant, and the Theatre Communications Group’s Peter Zeisler Memorial Award for Outstanding Achievement. ERS ensemble members have received Obies for Sound Design and Sustained Excellence in Performance and Lighting Design.

ArtsFund Kicks Off 50th Anniversary with Newly Proclaimed “ArtsFund Day”

ArtsFund announces the launch of its 50th anniversary year with a proclamation from Mayor Durkan, who has declared October 15, 2019 to be “ArtsFund Day”. The honor officially kicks off ArtsFund’s milestone year. 

Founded in October 1969, the Seattle-based nonprofit has been building community through the arts for 50 years. ArtsFund is one of the nation’s leading United Arts Funds and has contributed to the vibrancy of the Central Puget Sound region by supporting the health and vitality of arts and cultural organizations and the individuals they serve.

ArtsFund Interim President & CEO Sue Coliton stated, “ArtsFund was founded 50 years ago to generate support for the arts from the business community. Since then, it has evolved into a leader of the sector. We work to ensure arts are accessible to all and valued as central and critical to a healthy society. A future for the arts is a future for community, and ArtsFund is uniquely positioned to help deliver on that promise.”

“Whereas, the City of Seattle recognizes the work ArtsFund has been undertaking for the past 50 years and wishes them continued success.”

Mayor Jenny A. Durkan, City of Seattle, from the proclamation

The celebration of 50 years of impact will complement ArtsFund’s annual fundraising campaign, which runs through May 31, 2020.  Each year, ArtsFund’s fundraising empowers companies, individuals and community partners to make collective, regional and significant impact strengthening the community through support of the arts. Revenues from ArtsFund’s annual drive will support grants and capacity building programs, as well as additional activities and services strengthening more than 120 organizations throughout the Central Puget Sound region. 

ArtsFund Board Chair Anthony R. Miles added, “As we celebrate 50 years of impact, we remain focused on realizing ArtsFund’s unique potential to enhance the role of the arts and creativity in our region. In addition to grantmaking, ArtsFund’s research, programs and advocacy contribute to a sustainable, collaborative, informed, equitable and inclusive future. As the region has grown and evolved ArtsFund has been there every step of the way for the arts and cultural community. We are committed to empowering the sector in the years ahead.”

As the region has grown and evolved ArtsFund has been there every step of the way for the arts and cultural community.

Anthony R. Miles, ArtsFund Board Chair

ArtsFund was originally founded as the United Arts Council of Puget Sound to bring corporate and civic leaders together to help establish and sustain our region’s arts and cultural institutions. Upon completion of its inaugural fundraising campaign, the first grant beneficiaries included ACT Theatre, Pacific Northwest Ballet, Seattle Art Museum, Seattle Opera, Seattle Symphony and Seattle Rep—all organizations still supported by ArtsFund today. Fifty years and a few name changes later (to Corporate Council for the Arts in 1975 and to ArtsFund in 2003), ArtsFund has supported nearly 240 arts nonprofits with more than $84 million in grants, and by providing valuable leadership and advocacy.

Anniversary events will include a birthday edition of ArtsFund’s Celebration of the Arts Luncheon on March 20, 2020. Registration will open in February 2020.


The full mayoral proclamation can be viewed on Artsfund’s website.

Learn more about ArtsFund’s 50 years of impact and the plans for the year ahead.

Line-Up Announced for Pacific Northwest Ballet’s ‘Locally Sourced’

Pacific Northwest Ballet turns to regional talent for the mixed-bill Locally Sourced, which will play for just seven performances, November 8–17, and includes three world premieres.

Love and Loss

In Donald Byrd’s sixth work created for Pacific Northwest Ballet, a cast of 22 dancers will perform to music by Emmanuel Witzthum.

Donald Byrd is a Tony-nominated (The Color Purple) and Bessie Award-winning (The Minstrel Show) choreographer. He has been the Artistic Director of Spectrum Dance Theater in Seattle since 2002. He has created dance works for many leading companies and was recently named a 2019 Doris Duke Artist Awardee.

F O I L

In her first work for the Pacific Northwest Ballet mainstage, Eva Stone choreographs a work to music from five women composers and collaborates with an all-woman design team.

Eva Stone is the founder and producer of CHOP SHOP: Bodies of Work, a a contemporary dance festival held annually in Bellevue. She has been teaching and lecturing throughout the Puget Sound since 1995 and is currently on faculty at Spectrum Dance Theater and Pacific Northwest Ballet School, where she initiated the New Voices choreography course for young women.

Wash of Gray

Also choreographing for Pacific Northwest Ballet’s mainstage for the first time will be Miles Pertl, a PNB company dancer who is collaborating with his sister, visual artist Sydney M. Pertl. Together, with composer Jherek Bischoff, they are creating a multi-media dance work.

Seattle native Miles Pertl has choreographed works for PNB’s NEXT STEP and PNB School’s annual School Performance as well as the Noverre Society in Stuttgart, Danza Estate in Gubbio, Italy, and New Moves in Amsterdam. With a love of both dance and art, he has teamed up with his sister, artist Sydney M. Pertl, to form SeaPertl Productions, an organization which seeks to showcase both worlds and shine a spotlight on local talent.


Locally Sourced will be performed at Pacific Northwest Ballet’s McCaw Hall November 8 through 17. Tickets are available online.

Taproot Theatre’s 2020 Season Announced

The 2020 Jewell Mainstage season will include Steel Magnolias, Babette’s Feast, See How They Run, The Spitfire Grill and The Old Man and the Old Moon.

“Whether it’s you being you, creating a new life or a case of mistaken identities, in the 2020 Season we’re uncovering what makes us more than mere mortals,”said Co-Founder and Producing Artistic Director Scott Nolte. “With our unique blend of comedies, dramas and musicals (that you won’t find anywhere else!), the characters that cross the stage illuminate our lives. And the theatre is one of the best escapes to see life more clearly. So let us give you some insights, gasps and giggles in 2020.”

Steel Magnolias

(January 22–February 29)

BOOM! Drum fires another shot into the magnolia trees giving Ouiser’s dog a nervous breakdown. Truvy’s salon is buzzing as gossip and zingers fly between baby’s breath and bouffants. Annelle is new and nervous which means things are getting a little poofy. Hold onto your rollers and grab your tissues for this hilariously heartwarming American classic.

Babette’s Feast

(March 18–April 25)

Crossing thousands of miles in search of asylum, Babette finds safety across the fjords in a tiny mountain village. But petty squabbles and personal slights render the pious villagers as frigid and unforgiving as their surroundings. In one radical act of generosity, Babette prepares a feast so lavish it awakens grace to transform brittle hearts.

Based on a short story by Isak Dinesen, which also inspired the Oscar-winning film of the same name, Babette’s Feast shines in a new stage adaptation by Abigail Killeen and Rose Courtney.

See How They Run

(May 15–June 22)

All Penelope wants is an evening out; surely even vicar’s wives can have an innocent night on the town with an old friend. But between the buzzed busy-body in the closet, a volley of vacillating vicars galloping across the lawn and a Soviet spy on the loose, this night is racing towards insanity. Precocious and preposterous, this comedy is quintessentially English.

The Spitfire Grill

(July 8–August 15)

Percy is fresh out of prison and searching for a new life when she arrives in Gilead. Curmudgeonly Hannah’s ready to leave The Spitfire Grill behind and announces a contest to raffle it off. As entries start pouring in from around the country, rumors and secrets swirl through the once picture perfect town. In this soul-stirring musical, forgiveness and a spirit of hope go a long way in pointing the way home.

The Old Man and the Old Moon

(September 18–October 26)

Created by acclaimed theatre-makers PigPen Theatre Co. and inspired by Celtic folklore and British sea shanties, this spell-binding play with music takes us to the end of the world on a whimsical journey to uncover a forgotten past.

The moon is waning and the Old Man must refill it. A melody sparks a memory and the Old Woman must follow it. In a quest to find his wife, the Old Man abandons his duties to face civil wars, monsters of the deep, zeppelins, meddling ghosts and a past he can’t remember. This fantastical, sea-fairing and song-filled tale leads you on an epic adventure into lands unknown!


New subscriptions for the 2020 season go on sale October 1 adn start at $78. Single tickets will be released for Steel Magnolias on Nov. 19; for Babette’s Feast on Jan 14, 2020; for See How They Run on Mar 10; for The Spitfire Grill on May 5; and The Old Man and the Old Moon on June 30. Tickets can be found at taproottheatre.org.

Village Theatre Announces Cast for ‘The 25th Annual Putnam County Spelling Bee’

Village Theatre has announced the cast for the first show in their 2019-20 season. The 25th Annual Putnam County Spelling Bee boasts a cast of immense talent, with Village Theatre and Seattle area favorites—including the award-winning playwright of Lizard Boy, Justin Huertas.

Spelling Bee will run at Village Theatre’s Issaquah location September 12–October 20 before playing at their Everett location October 25–November 17.

“Life is pandemonium” in this fast-paced and irreverent Tony Award-winning comedy. The 25th Annual Putnam County Spelling Bee follows an eclectic group of students as they vie for the title of regional spelling bee champ—hoping never to hear the soul-crushing, pout-inducing, life un-affirming “ding” of the bell that signals a spelling mistake. This witty coming-of-age story is bursting with heart, and Village Theatre’s full-fledged production will be an unforgettable experience that chronicles all the joy, torment and passion of those who love to compete. Six spellers enter; one speller leaves! At least the losers get a juice box…

Cast

Nicholas Japaul Bernard (Mitch Mahoney) is a native of Rochester, New York and is making his Village Theatre debut. Past roles include: Hedwig and the Angry Inch (ArtsWest), Rock of Ages (The 5th Avenue Theatre), Citizen: An American Lyric (Sound Theatre Company) and Take Me Out (Strawberry Theatre Workshop). A Black, gay and disabled artist, Nicholas hopes to take up as much space in the theatre world as possible and make space for other marginalized artists.

Justin Huertas (Chip Tolentino) is an award-winning playwright, composer-lyricist and actor. He was last seen at Village Theatre in In the Heights. Acting credits include: Everybody (Strawberry Theatre Workshop), Caught (Intiman) and Tiny Beautiful Things (Seattle Rep). Justin wrote Lizard Boy and The Last World Octopus Wrestling Champion. His newest musical Lydia and the Troll premieres this spring at Seattle Rep.

Brian Lange (Vice Principal Douglas Panch) is returning to Village Theatre’s Mainstage for the first time since 2010’s The Gypsy King. Since then he’s been at Village Theatre’s First Stage for developmental productions of Cloaked, Watt?!?, The Noteworthy Life of Howard Barnes, String and ZM. Most recently Brian was in ACT/The 5th Avenue Theatre’s co-production of Urinetown, and Bright Star at Taproot Theatre.

Arika Matoba (Marcy Park) debuted on the Seattle stage as Little Red Ridinghood in Village Theatre’s Into the Woods. Additional credits include: Urinetown (ACT/The 5th Avenue Theatre), A Charlie Brown Christmas (Taproot Theatre) and AMT’s Rosie the Riveter (The 5th Avenue Theatre). Arika is represented by The Actor’s Group. @arikamatoba

Rafael Molina (Leaf Coneybear) Village Theatre credits: Hart Island, ZM, Into the Woods. Other recent credits include: West Side Story (Bay Area Theatre Company), The Miraculous Journey of Edward Tulane (Seattle Children’s Theatre) and Much Ado About Nothing (Seattle Shakespeare Company). As a composer and director, Rafael has collaborated with many local organizations and institutions. BFA Cornish College of the Arts.

Taylor Niemeyer (Olive Ostrovsky) Previous credits include: Newsies (Katherine), Xanadu (Euterpe), Big River (Mary Jane), Annie Get your Gun (Winnie Tate), Billy Elliot, Cabaret, Mary Poppins, Funny Girl and The Producers (ensemble) at Village Theatre; West Side Story (Ensemble), A Chorus Line (Bebe) and The Music Man (Zaneeta) at The 5th Avenue Theatre. @TaylorKaySymons

Sarah Russell (Logainne Schwartzandgrubenniere) is returning to Village Theatre’s stage after appearing in The Noteworthy Life of Howard Barnes, Dreamgirls and My Heart is the Drum. Additional credits include: Urinetown (ACT/The 5th Avenue Theatre), Kiss Me Kate, Grease (The 5th Avenue Theatre) and The Odyssey (Seattle Rep).

MJ Sieber (William Barfee) Recent credits include: The Crucible and Stupid Fucking Bird at ACT Theatre; Dry Powder, Outside Mullingar, Photograph 51 at Seattle Rep; Native Son at Intiman; Shakespeare in Love, Midsummer and Winter’s Tale at Seattle Shakespeare Company; and Elephant Man and Gutenburg! The Musical at Strawberry Theatre Workshop, just to name just a few. He was the associate artistic director of New Century Theatre Co. and appeared in Festen, O Lovely Glowworm, The Trial, The Adding Machine, and directed the West Coast Premiere of Annie Baker’s Pulitzer Prize winner The Flick.

Jessica Skerritt (Rona Lisa Perretti) Favorite Village Theatre credits include: String (Atropos), Singin’ in the Rain (Lina Lamont), Xanadu (Kira/Clio), The Producers (Ulla) and Million Dollar Quartet (Dyanne). The 5th Avenue Theatre: A Christmas Story (Mother), How to Succeed… (Hedy LaRue), Annie (Grace), The Sound of Music (Elsa), ELF (Deb). ACT: Little Shop of Horrors (Audrey), Grey Gardens (Young Little Edie).


Subscriptions for Village Theatre’s 2019-20 season and single tickets for The 25th Annual Putnam County Spelling Bee are now available.

Berkeley Rep Announces Cast and Creative Team of ‘The Great Wave’

Berkeley Repertory Theatre has just announced its cast and creative team for the first show of its 2019-20 season, The Great Wave, which will play at Roda Theatre September 12 through October 27, 2019. This epic new thriller by Francis Turnly will have its American premiere at Berkeley Rep this fall and will be directed by Obie Award winner Mark Wing-Davey.

“Berkeley Rep has long been championing playwrights like Francis Turnly who offer us access to stories and worlds that aren’t often explored onstage,” says Artistic Director Johanna Pfaelzer. “The Great Wave illuminates a gripping story of international intrigue told through an intensely personal lens. Seeing it is like experiencing a propulsive page-turner, which I find rare in the theatre.”

Cast

Julian Cihi (Tetsuo) Julian is making his Berkeley Rep debut. He was born and raised in Tokyo, Japan before moving to the U.S. to attend Brown University (BA) and later NYU Tisch Grad Acting (MFA). Theatre credits include Doctor Zhivago (Broadway), Romeo and Juliet (Classic Stage Company), A Month in the Country (Williamstown Theatre Festival) and Wild Goose Dreams (La Jolla Playhouse). Julian has also performed in several musicals in Japan, including Rent and a musical adaptation of As You Like It, all in Japanese. He most recently appeared in the second season of Amazon Prime’s original TV series The Tick as a villain named Edgelord.

Yurié Collins (Reiko) Yurié is honored to lend voice to the untold stories of people from her home country. Born and raised in Wakayama Japan, Yurié is currently based in New York City. She has appeared on stage with the Flea Theatre, 600 Highwaymen, Witness Immersive, and on screen for TV shows such as Bull (CBS), Gotham (FOX) and Orange Is the New Black (Netflix). Yurié also organizes with social and climate justice groups and is passionate about combining acting and activism.

Stephen Hu (Kum-Chol) Stephen is thrilled to be returning to the Bay Area with his Berkeley Rep debut. New York credits include F.O.B. (Sheen Center) and Puzzle the Will (Davenport Theatre). Select regional credits include Hamlet (Repertory Theatre of St. Louis), Macbeth (Theatricum Botanicum), Ching Chong Chinaman (Artists at Play), and Othello, Much Ado About Nothing, Measure for Measure and Rosencrantz and Guildenstern Are Dead (The Old Globe). His last appearance in the Bay was for Vietgone at American Conservatory Theater, for which he received the Best Featured Actor SF Theatre Critics Circle Award. He was recently seen on TV in The Good Fight. MFA, The Old Globe/USD.

Cindy Im (Jung Sun/Soldier Two) Cindy’s credits include Vietgone, The Orphan of Zhao, Stuck Elevator (American Conservatory Theater); Hannah and the Dread Gazebo, Julius Caesar, Great Expectations, The Winter’s Tale (Oregon Shakespeare Festival); Miss Bennet: Christmas at Pemberley (Marin Theatre Company); The Orphan of Zhao (La Jolla Playhouse); The World of Extreme Happiness (Manhattan Theatre Club); Twelfth Night (Cal Shakes); The World of Extreme Happiness (Goodman Theatre); Measure for Measure (Seattle Shakespeare Company); and 11 Septembre 2001 (Theatre Dijon Bourgogne/REDCAT). Film/television credits include Manifest (NBC) and Tigertail (Netflix). Cindy is a TCG Fox Acting Fellow, RHE Foundation Fellow and holds an MFA in Acting from CalArts.

Paul Juhn (Official) Paul last appeared at Berkeley Rep in 2007 in after the quake. Theatre credits include Henry VI (National Asian American Theatre Company); the world premiere of Hannah and the Dread Gazebo, Merry Wives of Windsor, The Winter’s Tale, Secret Love in Peach Blossom Land, Antony and Cleopatra (Oregon Shakespeare Festival); Good Person of Szechwan (The Public Theater); Sides: The Fear Is Real (Ma-Yi Theater); White Chocolate (The Culture Project). Film and TV credits include Unbreakable Kimmy Schmidt, Quantico, Salt, The Americans, 30 Rock, Person of Interest, Works of ART. He is a founding member of both Mr. Miyagi’s Theatre Company and Suffolk Street Films. Paul received his MFA from UCSD.

Jo Mei (Hanako)This is Jo’s Berkeley Rep debut. Theatre credits include We Are Among Us (City Theatre, Pittsburgh), Babette’s Feast (off Broadway/Portland Stage), Fingersmith (American Repertory Theater), World of Extreme Happiness (Manhattan Theatre Club), King of Hell’s Palace (Goodman Theatre), You for Me for You (Woolly Mammoth Theatre Company). TV credits include Crashing (HBO), Nicki (Freeform), Bones (Fox), and The Good Wife (CBS). Jo stars in and co-wrote the award-winning film A Picture of You; other film credits include Who We Are Now, Adult World and The Grief of Others. Jo is a graduate of The Juilliard School’s Drama Division. @jotomato

Paul Nakauchi (Jiro) Paul is excited to be making his Berkeley Rep debut. Broadway: The King & I at Lincoln Center. Off Broadway: Long Day’s Journey into Night at Mint Theater, Chu Chem at Ritz Theatre. London: The King & I at the Palladium. National tour: Miss Saigon. Regional credits: Sunday in the Park with George at the Guthrie Theater, Allegiance at The Old Globe, Mikado, Inc at Paper Mill Playhouse. He has appeared in the films The Great Raid, Dark Metropolis and Death Note. TV credits include ER, The Young and the Restless and Deadbeat. He has voiced numerous characters for games, animated features and TV, including Carmen Sandiego, which has been nominated for this year’s Emmy for best children’s programming.

Grace Chan Ng (Hana) Grace is thrilled to return to the Bay Area for her stage debut at Berkeley Rep, where she previously partook in the Ground Floor summer workshop of F*ck Miss Saigon. Recent regional credits include Dry Land and The Black Rider (Shotgun Players), You for Me for You (Crowded Fire), Hair (Bay Area Musicals), Fiddler on the Roof (Berkeley Playhouse), Life Is a Dream (Cutting Ball Theater) and the world premiere of Where the Mountain Meets the Moon (Bay Area Children’s Theatre), winner of three Theatre Bay Area Awards. Grace is a graduate of San Francisco State University.

Sharon Omi (Etsuko) Sharon is thrilled to be back at the Berkeley Rep. Before leaving for LA many years ago, she performed here in The Good Person of Szechuan, Top Girls at The Eureka Theater Co., Uncle Vanya at American Conservatory Theater, Tea at The Asian American Theater Co. among many others. She has worked at South Coast Repertory, Mark Taper Forum, Ahmanson Theatre, East West Players, Playwright’s Arena and Odyssey Theatre. Recent TV work includes The Resident, Forever, The First, How to Get Away with Murder and Criminal Minds. She starred in the indie film Eat with Me for which she won a best actress award from the Out On Film Festival in Atlanta. Los Angeles theatre favorites include And the Soul Shall Dance, Blood Wedding, Innocent When You Dream and Tales of Clamor.

David Shih (Takeshi/Soldier One) This is Dave’s Berkeley Rep debut. His theatre credits include the National Asian American Theatre Company (NAATCO) productions of Henry VI: Shakespeare’s Trilogy in Two Parts, Awake and Sing! and [veil widow conspiracy]; KPOP (Ars Nova); Somebody’s Daughter (Second Stage Theater); Tiger Style! (La Jolla Playhouse); Bike America (Ma-Yi Theatre Company); Crane Story (The Playwrights Realm). He has appeared on television in Billions, The Path, City on a Hill, Blindspot, Elementary, Madam Secretary, The Blacklist and in the films Mr. Sushi, Eighth Grade, The Amazing Spider-Man 2, Saving Face. Dave works with Only Make Believe performing for children in hospitals and care facilities.

Creative Team

Chika Shimizu (Scenic Designer) Chika is a New York-based scenic and projection designer. Her design credits include Awake (The Barrow Group), Hunky Boys Go Ding-Dong (Adult Swim Network), Another Dream (world premiere, Tribeca Film Festival), The Winning Side (Epic Theatre Ensemble), The Naturalists (Pond Theatre Company), Vietgone (TheatreSquared), Buyer and Cellar (Bucks County Playhouse), The Caucasian Chalk Circle (Yale Rep, Connecticut Critics Circle Award nomination), Romulus The Great (Yangtze Rep), False Stars (Corkscrew Theater Festival), The Seagull (Access Theater), Twelfth Night; Or, What You Will, The Visit (Yale School of Drama). She is a recipient of Donald and Zorca Oenslager Fellowship Award in Design. MFA in Design from Yale School of Drama. chikashimizu.com

Meg Neville (Costume Designer) Meg’s Berkeley Rep productions include Imaginary Comforts; It Can’t Happen Here; Hand to God; One Man, Two Guvnors; Party People; Macbeth; Pericles; The Intelligent Homosexual’s Guide…; Ghost Light; Eurydice. Regional credits include The Great Leap and Heisenberg at American Conservatory Theater, The Music Man at Arizona Theater Company, Blithe Spirit and The Cocoanuts at the Guthrie Theater, and Taming of the Shrew, Long Day’s Journey Into Night, and The Cocoanuts at Oregon Shakespeare Festival, as well as shows at California Shakespeare Theater, the Magic Theatre, Joe Goode Performance Group, Marin Theatre Company, South Coast Rep, Yale Rep, Hartford Stage, Center Stage Baltimore, Second Stage, Dallas Theater Center, Atlantic Theater Company, BAM, New York Stage and Film. She resides in Marin with her family. megneville.com

Lap Chi Chu (Lighting Designer) Lap has designed Ruined and Emotional Creature at Berkeley Rep. He has also recently designed the world premieres of Lynn Nottage’s Mlima’s Tale and Sarah DeLappe’s The Wolves. His other lighting designs can be seen at Lincoln Center, The Public Theater, New York Theatre Workshop, Williamstown Theatre Festival, Mark Taper Forum, Geffen Playhouse, Oregon Shakespeare Festival, The Shakespeare Theater. Lap’s awards include the Lucille Lortel, 2018 Obie for Sustained Excellence in Lighting Design, Los Angeles Drama Critics Circle Angstrom Award for Career Achievement in Lighting Design, Ovation Award and multiple Bay Area Theatre Critics Circle Awards. He is also the head of lighting design at California Institute of the Arts. lapchichu.com

Bray Poor (Sound Designer) Bray’s Berkeley Rep credits include Dear Elizabeth, Red, Eurydice, For Peter Pan on her 70th birthday, Changes of Heart (as an actor).Broadway: True West, The Glass Menagerie, The Real Thing, In the Next Room (or The Vibrator Play), American Plan. His sound and music have been heard in regional theatres all over the country and Europe. In New York, he has worked in numerous off-Broadway theatres, most recently at Second Stage on Bess Wohl’s Make Believe directed by Michael Greif. He’s been nominated several times for Lucille Lortel and Drama Desk Awards and won Obie Awards for Annie Baker’s John as well as for Sustained Excellence in Sound Design.

Tara Knight (Video Designer) Tara is delighted to be designing at Berkeley Rep for the first time. Previous projection design credits include Hollywood! (Craig Noel Award nomination for Outstanding Projection Design) and A Dram of Drummhicit at La Jolla Playhouse, Amazons and Their Men and Ballast at San Diego’s LGBTQ Diversionary Theater, and The Floating World at the San Diego Art Museum (Emmy Award). Her award-winning short animations and dance films have screened at festivals in New York, Ottawa, Montreal, Mexico City, Rio de Janeiro, Helsinki, London, Amsterdam, Lisbon, Zagreb, Hong Kong, Tokyo, Taipei and most recently at the Annecy International Animation Festival in France.


Subscriptions for Berkeley Rep’s 2019-20 season are available online. Individual tickets for The Great Wave will be available in mid-August.

New Shows Added at Stanford Live

Stanford Live has announced eleven more artists in their 2019-20 season lineup. Following Stanford Live’s mission to “foster a vibrant learning community and provide distinctive experiences through the performing arts,” the newly added acts are a diverse range of comedians, national and international musicians, and an American legend.

Sounds of Cape Verde: Lucibela

September 27

On her first record, Lucibela explores being a woman and a Cabo–Verdean, living far away and loving with sensuality and grace. Lucibela’s vocal technique lies in her ability to explore the deep register of Brazil’s great sambistas while adding a thrilling vibrato.

Jesus Trejo

September 28

Jesus Trejo is a LA-based comedian, actor and writer. Named one of Variety’s Top 10 Comics To Watch 2017, he is a paid regular at the Comedy Store in Los Angeles and often appears on multiple TV series.

Hanggai

September 28

Hanggai (杭盖), from the steppes of Mongolia by way of Beijing, is a crossover band that blends traditional music and rock. The band is comprised of Mongolian-Chinese musicians, members of one of China’s 55 official ethnic minorities. 

Trey McLaughlin & The Sounds of Zamar

October 1

Trey McLaughlin & The Sounds of Zamar fill their performance venues with soul-stirring arrangements of contemporary gospel and original compositions. They are known for their rich harmonies and beautiful blends.

Willie Nelson

October 12

With a six-decade career and 200 plus albums, Willie Nelson has earned every conceivable award as a musician and amassed reputable credentials as an author, actor and activist. He continues to thrive as a relevant and progressive musical and cultural force.

Terry Riley and Gyan Riley

October 19

California Composer Terry Riley launched what is now known as the Minimalist movement with his revolutionary classic In C in 1964. In this special performance, Terry is joined by his son, award-winning classical guitarist Gyan Riley.

Jon Batiste

November 2

Jon Batiste is a globally celebrated musician, educator, bandleader and television personality whose musical skill, artistic vision and exuberant charisma have made him a triple threat and the newly “crowned prince of jazz.”

Nella

November 14

Venezuelan singer Nella, who has already garnered the support of Latin pop star Alejandro Sanz, has performed with a variety of artists such as Jennifer Lopez, Carlos Vives, Luis Enrique and Susana Baca. 

Allison Miller

November 15

NYC-based drummer, composer and teacher Allison Miller gathers inspiration from a wide array of genres. Coming from the Jazz tradition, she engages her deep roots in improvisation as a vehicle to explore all music.

Alicia Olatuja

November 16

Praised by the New York Times as “a singer with a strong and luscious tone and an amiably regal presence on stage,” Alicia Olatuja astounds audiences with her exquisite vocals, artistic versatility and captivating demeanor.

Musica Nuda

November 17

This Italian duo has no boundaries, fusing bits of jazz, songwriting, rock, punk and classical music, using the art of silence as well as sound, underlining the value of a lyric, a story, the meaning of every song whether dramatic, funny, energetic, sarcastic or romantic. 


Tickets for the newly added shows and the full 2019-20 season are available online.